Reading Response Week
of 9/24-9/26
Craig, Understanding
Augmented Reality (Chapter 3 – Augmented Reality Software) and
Costello, Multimedia Foundations (Chapter
4 – Visual Communication)
Can’t
say I was too keen on Craig’s chapter for this week. There were, however, a few
passages or concepts that stood out to me, so I’d like to delve further into one
here. On page 80, Craig discusses the role of compasses as a sensor for
tracking. His words prompted me to recall a recent article featuring iOS7 updates. Along with the new mobile operating system came nifty
updates for the compass app. In sum, Apple’s compass app now serves a double
purpose – users have access to a level. Alas, technology has done it again;
now, consumers can rid their levels and rely on their trusty iPhones for
ensuring that surfaces are level and pictures are hung at proper angles. While
this isn’t in respect to AR, it is an example of how technology (and the smart
phone aka our hardware for AR) is impacting our day-to-day.
I
was more intrigued with Costello’s chapter on visual communication. In
discussing color, one of the main elements of design, Costello references the
movie Catch Me If You Can and its use
of color throughout the film to assist in character and plot development. This
done in several movies, and thought I’d share some of those instances here:



The Wizard of Oz,
the 1939 Metro-Goldwyn-Mayer classic staring Judy Garland – The film is noted
for its use of Technicolor, and its bright colors cannot be mistaken when used
in combination with black-and-white scenes. This film actually incorporate
s
several other notable vis comm principles
of which Costello refers to in his chapter, including: contrast, depth, proportion
and figure-ground.

The Secret Garden,
the 1949 film is the second adaptation of the 1909 novel – The film appears in
black-and-white for the majority of scenes; however, the scenes set in the
garden appear in Technicolor. This use of color highlights the eroticism of the
film, further illustrating the special nature of Mary Lennox’s character, as
played by Margaret O’Brien.
These
color techniques, as they are addressed in the readings, go hand-in-hand with
our class conversation on subtractive and additive color.
Sources:
Costello, V.
(2012). Visual communication. Multimedia
foundations: Core concepts for digital design (95-126). Boston: Elsevier.
Craig, A. B.
(2013). Augmented reality concepts. Understanding
augmented reality: Concepts and applications (39-67). New York: Elsevier.
Omermus, W. “The
niftiest iOS7 feature you haven’t found yet.” Slate. 21 September 2013. Retrieved on September 24, 2013, from http://www.slate.com/blogs/future_tense/2013/09/21/ios7_tips_compass_app_secretly_has_a_level_and_it_s_addictive.html
Pleasantville (film). (n.d.). In Wikipedia. Retrieved September 24, 2013, from http://en.wikipedia.org/wiki/Pleasantville_%28film%29
Sin City (film). (n.d.). In Wikipedia. Retrieved September 24, 2013, from http://en.wikipedia.org/wiki/Sin_city_film
The Secret Garden (1949 film). (n.d.). In Wikipedia. Retrieved September 24, 2013,
from
The Wizard of Oz (1939 film). (n.d.). In Wikipedia. Retrieved September 24, 2013,
from http://en.wikipedia.org/wiki/The_Wizard_of_Oz_%281939_film%29
No comments:
Post a Comment