Reading Response Week
of 10/8-10/10
Craig, Understanding
Augmented Reality (Chapter 5 – Content is Key! — Augmented Reality
Content) and Costello, Multimedia
Foundations (Chapter 5 – Multimedia
Page Design)
Thoughts from Craig:
·
On
page 157, Craig writes the following: “Try as we may, an AR application (today)
cannot allow the participant to break the real-world laws of physics. This
precludes the AR content creator from doing certain things he or she might like
to do, such as remove the law of gravity, teleport a (real) object from place
to place, or allow the participant to really fly by” (Craig, 2012, p. 157)
This
screams Hollywood’s film and TV industry. As we’ve mentioned (and viewed) in
class, films take on a whole new approach to augmented reality, provided us
with concepts, visions that do not exist in today’s world. It’s all about
high-tech, futuristic innovation. For example, in both the 1971 Willy Wonka & the Chocolate Factory staring Gene Wilder and the 2005 Charlie & the Chocolate Factory staring Johnny Depp, viewers experience teleporting. Of course, TV can allow
the creator to break the laws of physics.
·
On
page 165, Craig discusses overlaying information. He writes: “If one is using
AR to help someone find a location, the AR application could make it appear as
though there are lines on the ground that you can follow to your location. In
the real world, an example of this is a stripe on the floor that you follow to
get to the appropriate room. Usually there is a different color stripe for each
destination and you follow the appropriate color” (Craig, 2013, p. 165).
This
passage reminded me of shopping, specifically during the back-to-school season
or the holidays. In the real world, major stores (e.g., Target, Wal-Mart, drugstores,
etc.) often include colorful lines on the floor that code to various departments.
The lines take the shopper directly to the area he wishes to visit. Typically,
the store will also hang a sign from the ceiling that tells the shopper
something like, “Back-to-school – Go this way,” or provides additional
instruction. I’ve also seen this done on Black Friday (with the addition of
store layout handouts, maps, etc.). Some say this makes the shopping experience
easier because it filters the store into sections — the shopper need not wander
in search of a particular section; rather, he can find his way via the mapped
lines.

Another
example (and probably an overused one) is the famous Marauder’s Map from Harry Potter. The map tells
Harry where everyone at Hogwarts is at any point in time. With a secret phase,
he can follow virtual footsteps and be led anywhere, to anyone. This film, as
well as the film genre, calls for viewers to suspend their disbelief, as Craig
mentions in the text.
Thoughts from Costello:
I’m familiar
with the concept of “breaking out of the box,” as Costello puts it. I thought
I’d label some of my frequently visited websites as
either displayed with the F-layout or Z-layout frame.
- ESPN is displayed in the Z-layout frame.
- Facebook and Twitter are both displayed in the F-layout frame.
- Foodgawker is displayed in the Z-layout frame.
- HokieSports is a tricky one. I can see characteristics of both displays, depending upon where I glance across the homepage.
Costello, V.
(2012). Multimedia page design. Multimedia
foundations: Core concepts for digital design (127-152). Boston: Elsevier.
Craig, A. B.
(2013). Content is key! — Augmented reality content. Understanding augmented reality: Concepts and applications (151-183).
New York: Elsevier.
“Harry Potter
& the Weasley Twins Marauders Map.” 3 December 2009. YouTube. Accessed on 3
October 2013. Web.
“What Else Can You Teleport from Charlie and the Chocolate Factory (2005).” 2013. Dailymotion. Accessed on 3 October 2013. Web.
“What Else Can You Teleport from Charlie and the Chocolate Factory (2005).” 2013. Dailymotion. Accessed on 3 October 2013. Web.
“WILLY WONKA
& THE CHOCOLATE FACTORY 40TH ANNIVERSARY – WONKA VISION.” 30
September 2011. YouTube. Accessed on 3 October 2013. Web.
Images from
Google Images
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